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Chapter I
Practice, Practice, Practice!
The wind hummed through
the trees and whoo-ed down a lane with houses graced by pillars,
porches, and elegant entrances in the old part of Haneckhadee.
It danced around a statue of a Native American holding his bow like
a staff and peering into the distance.
"Hownow ohhhwow
wooohphhew," the wind whispered the Indian's ancient
chant.
Behind the Indian rested
an aging white colonial house with black shutters. On the
second floor, ten-year-old Charles Patrick Paganono practiced his
piano. His bangs tumbled into his eyes as his fingers
stumbled. He pounded the keys and gritted his teeth.
Then he grabbed the miniature bust of Mozart atop the piano and
threw it against the wall.
"Good for you, old
Mustfart!" he shouted.
Once, Charles had liked
the piano. He was five years old, and sometimes played for
relatives and family friends. They told him he was just like
his father, that one day he too would play concerts. But it
got harder and his father made him practice, all the time. And
he'd yell when Charles made a mistake. It gave him
nightmares. In one he dreamed his father had a toilet plunger
and beat his hands. He remembered falling off the bed,
knocking his head against the corner of the woodwork. It
punctured his temple and they rushed him to the hospital. He
told the doctor about his dream, about how his father made him
practice all the time and yelled. Charles's lessons
stopped.
Nearly five years had
passed. It had been four months since he had resumed
lessons. Forced into the background were
his ant farm, his baseball
cards, and home run hitter Nicky Noodle and the Windy City
Dandies. The only way he could escape was to go into the
bathroom, and while he sat on the toilet, imagine himself hitting
home runs. And occasionally, in his bedroom at night, he'd
sneak on his headphone radio and listen to the Dandies in the dark,
waiting for Noodle to bat.
It was agony now,
trudging up and down these awful, endless keys. He thought
about the worm he had put in his ant farm. For the ants, it
was like a fight with a dinosaur. Yet they won. Charles
wished he could watch them now or find an ant hill outside.
He'd put bits of carob by it and wait. Slowly, the ants would
come out. Then he'd poke into the hole with a twig and they'd
pour out, like kids during a fire drill. And he'd pound,
pound, pound away!
"Charles!" his father
roared from outside the room.
Charles jumped and his
hands fell off the keys. James Paganono, whose figure
resembled that of a giant teapot, stood in the doorway.
"Do you like making
those awful noises?" his father huffed and entered. "Oh my
God! Charles! What's wrong with you!"
His father's face
reddened; his eyes narrowed.
"You pick that up," he
said.
Charles picked up the
pieces and put them on an adjacent bookshelf. His father stood
with his arms folded.
"Sit down!" his father
said.
Charles returned to the
piano stool and his father pulled up a chair.
"Now you apologize for
what you did," his father said.
"I'm sorry," Charles
mumbled.
"I know you don't like
the piano," he father said and took a breath. "But believe me when
you grow up, you'll thank me for making you play. Let me show
you what I mean."
His father nudged him
over on the stool. He set his manicured hands over the
keyboard as if attaching them. His hands seemed huge to
Charles yet clean and smooth like a lady's.
"Listen to this,
Charles."
Delicately his father
pressed the keys. How tinkly soft. The melody tiptoed,
pleading its sorrow. It made Charles feel as if he were saying
goodbye to someone he liked but wouldn't see for a long time.
He noticed his father had closed his eyes and looked as if in
pain. And his father remained like this until he stroked the
final note, holding it, slowly letting it fade.
"That's Chopin," his
father said.
His father took a deep
breath and removed his hands from the keyboard.
"Don't you want to be
able to play music like that?"
Charles didn't
answer.
"Music's a very precious
gift, Charles," his father said, his voice softening. "No matter how
old you get, or how bad you feel, it'll be there for you, all the
time. You just sit down and play, and everything becomes all
right. You'll see what I mean, someday. But you have to
practice."
His father got
up.
"Okay, let's hear your
recital piece."
Charles sat down.
His hands shook as he opened the sheet music. He set his hands
into position. His fingers pushed down on the keys, then moved
across. It was Fur Elise by Beethoven, or as Charles
secretly called it, "Furry Lisa."
"A little more life,
yes, yes," his father instructed. "Watch your legato. That's
better. Repeat. Good. Good. Okay now,
mezzoforte. Not bad. Keep up the tempo."
Everything was going
well but the next part wasn't so easy.
"Now watch your
slurs. Your slurs, your slurs! Stop, stop!"
His father pounded the
stool.
"How many times do I
have to tell you! The slurring is very important. Do you
realize your recital's only three weeks away!"
His father shook his
head, then leaned over Charles.
"You've got to start
getting this right, Charles," he said and hunched closer, speaking
almost directly into Charles's ear. "I don't care how long you have
to practice. Do you hear me!"
Charles didn't
answer.
"Do you hear me!" his
father repeated.
Charles mumbled a yes,
and his father walked out and slammed the door.
For supper Charles sat
alone in the kitchen wary of his tofuburger. His parents were
getting ready to go out with their neighbors, the McGregors.
Their daughter Mindy was coming over to stay with him. Charles
removed the slice of bread atop his burger and took out the awful
sprouts which his mother insisted he eat. Quietly, he opened
the door to the back porch and tossed the sprouts in the
garbage.
He hurried back to the
table. His mother was coming, her perfume preceding. She
was wearing all this makeup too, which he thought made her look like
a different person. She gazed at his burger.
"Charles, aren't you
going to eat your supper?"
He scowled.
"C'mon, it's not that
bad," she said. "To me, it tastes just like pizza. In fact, I
make it with the same seasonings that go in a pizza."
He gazed at the burger
and mumbled.
"Eat your tofuburger,"
his mother said, "and then you can have some
strawberries."
Without whipped cream or
cake, he thought.
At the sink, Helen
Paganono tidied up. Once she had been a violinist, but a
problem developed with her joints. Now she worked in a health
food store and did volunteer work.
"You finish your burger,
and then I'll fix the strawberries," she said and left the
kitchen.
Charles labored over his
burger. It tasted like mush. Nothing like pizza.
His mother must be crazy. He pushed away the burger.
He'd rather eat the strawberries when Mindy came over because she
would get the whipped cream and cake from her house.
After supper, Charles
put on his Dandy cap, sat in his rocking chair, and turned on the
TV. A program was on about an adopted boy. The boy was
talking to his father about what he might be when he grew
up.
"Some people just aren't
good at some things," the boy's father said. "You should try lots of
things, to see what you like and what you're good at, before you
decide."
That gave Charles an
idea. Maybe he could get his father to see that he wasn't good
at the piano and that it was a waste of time for him. A rap
came at the back door. Like a gust of wind, Mindy came
in. She dashed to Charles and stared in his face, crossing her
clear blue eyes and scrunching up her face. When not making
faces, she looked like a pretty Olive Oyl with neverending
dimples. She grabbed Charles around the waist and tickled his
ribs.
Later, after his parents
had left, instead of having strawberry shortcake, Mindy ordered a
large pizza with the works extra cheese, mushrooms, onions,
black olives, green peppers, sausage, and pepperoni.
"Mmmm, is this good,"
Mindy said, as she sat on the couch in facing the TV with Charles
eating the pizza.
Charles nodded and
gobbled.
"How's your recital
piece coming?" she asked.
Charles didn't answer
and slurped some cheese.
"Not so good,
huh?"
"The pizza?" he
asked.
"No, silly, the recital
piece."
"Ohh, Mindy, you know
how I hate the piano," he said, while chewing. "I'd like ta, to
smash it, in little, bitty pieces!"
"Charles," Mindy said,
and patted him on the back. "Believe me, someday you'll be glad you
learned to play. Look at your father. In a couple weeks
he's playing with the Windy City Symphony."
"So what!"
Mindy took her arm away
from him.
"Well, everyone's
excited about it," she said. "You should be too."
"My mother
isn't."
"I wouldn't say
that."
"But Mindy," Charles put
his pizza down, "how can you get excited about something you
hate?"
"Charles," Mindy said,
shaking her head. "You know, Charles, I used to hate my lessons
too. But one day I started to like it. Maybe you should
try a different instrument. Maybe you'd like the
flute."
"I don't
know."
"Remember last year when
I took you to the Nutcracker?"
Charles
shrugged.
"You remember. You
liked that part when the fairies danced, when the piccolo
played. Maybe you should try the piccolo?"
Charles rolled his
eyes.
"Well, what songs do you
like?"
"I don't like any
songs," Charles said, shaking his head. Then he stopped. "Well
. . . maybe one. You know Beautiful Dreamer?"
"Beautiful
Dreamer! Of course! That's a great song," she said. "In
fact I have a recording of it. Let's go to my house and get
it. We'll get my flute and James Galway CDs too."
Mindy could've played
her flute and recordings all night, but Charles became bored.
What sounds lovely to one person might sound awful to another.
Also, music is like a friend. It takes time to
appreciate. Besides, Mindy had promised to read from one of
her Oz books. They were so funny and took Charles to a place
far away from home. |